The Seven Elements of Ficiton

" In this sense, the theme of Garcia Marquez' storey of a Death Foretold is that love and pain seem to be inextricably bound together in human destiny. passim the novel, Garcia Marquez provides numerous examples of this, like the pain and love experienced amid the disgraced bride and her fianc? Bayardo San Roman or the way love is cogitate with sexual passion in the work. Passed out during the murder of Santiago, Garcia Marquez (2) informs us the "clamor of alarm bells" woke him in the "apostolic lap of female horse Alejandrina Cervantes." In the lap of a prostitute, the narrator is awakened to sounds that insinuate murder.

Garcia Marquez uses other elements of fiction like symbolism and jeering to beef up this theme. Known as imagery, these tools ar used by Garcia Marquez to augur and comment on the action of the story in an ironic and almost macabre fashion. He uses both symbolism and irony in a scene where Santiago observes rabbits being killed. As Michaels (3) notes, "After watching the rabbits being disemboweled, Santiago Nasar seizes a little woman by the crotch. Sexual passion is also mat in the compulsive rhythm of the novel, as it moves from one homicidal description to the next; however grossly sensual." The rabbits' butchering mirrors Santiago's own, which ironically occurs in a similar manner with Santiago manner of walking about holding his bowels in his hands.

Mano, Keith D. "A Death Foretold." National Review, 35(11), 10 June 1983, 699-700.

Cavallaro, Rosanna. "Solution to licentiousness: Detective Fiction from Wilkie Collins to Gabriel Garcia Marquez." Journal of Women & the Law, 15(1), 1-41.

Hutchison, Paul E. " floor of a Death Foretold." Library Journal, 108(7), 1 April 1983, 758-59.

Many of the elements of fiction like style, the lack of a main character, and multiple characters with diametrical perspectives contribute to an unsettled point of view in the work.

The concomitant that our main point of view is in the first mortal by a detective or journalist-like character re-exploring of the twenty-seven-year-old disgust helps reinforce Garcia Marquez' theme and the random nature in which life-time and death or love and violence can give out in human destiny or fate. As Hutchison (758) explains, "Garcia Marquez' taradiddle focuses on the random events accompanying the murder. A grand wedding, a visit by the bishop, a neglected note, all these elements are united to show how heap 'go on living without an pack knowledge of the place and mission assigned to us by fate.'" In this sense, point of view gives us the perspective of a detective or journalist who never quite resolves the arcanum of life's deepest questions the murder case exposes.

Setting also reinforces the theme of the Manichaean nature of love and hate intertwined with human destiny. We see this in Garcia Marquez' use of a Caribbean town where the weather can be of a dual nature in an instant as easily as love seems to turn to hate or violence. The day of the murder, driven by Santiago's lust and passion, the weather is interpret as both "funereal" and "radiant" (Garcia Marquez 2). Bell-Villada (93) maintains the setting is a "cultural territory," and a "glimpse of a dizzying array of people and patterns and meanings." The detective interviews numerous people. He explores dreams, unearths buried memories, and even investigates hallu
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