The Home is a Place of Refuge

The home is depict as a place that should be a refuge entirely often is not in Hawthorne. The home and garden in "Rappaccini's Daughter" is a deceptive sanctuary in which the girl seems at home, but a home should not be a place form which one cannot extend, as she cannot escapism from this home or this garden. Adam and Eve were cast step up of the Garden of Eden, but this is a garden from which the Eve cannot protrude no matter how much she may wish to do so.

The home as a place of refuge fails in Poe as well, for the image of the home that emerges from his writings is of a weighty place where many of his heroes turn when they withdraw from the outside world. They cannot escape from themselves, however, and are often destroyed even as they attempt to protect themselves with the trappings of home. Roderick Usher in "The Fall of the fireside of Usher" lives entirely in a domestic locale, otiose to leave the house even as it disappears into the tarn. He has indrawn from the outside world but cannot escape the inner ferment that caused him to so do. The same is true of the protagonist of "The Raven," for the memories he tries to duck come to him in the form of the Raven and make him guess all that he would like to forget.

In Walt Whitman, domesticity is often depicted in terms of being comfortable within oneself, which for Whitman authority not just accepting

The scuttle paragraph, as noted, makes reference to the restlessness of the people of Massachusetts quest and the fact that they had taken this restlessness out on the governors positive by a distant monarch in outstanding Britain. This does lead forecastly to the story at hand, though as the story progresses this piece of information may be bury until the conclusion of the story brings it once more to mind. The author intelligibly indicates the fate of several governors in Massachusetts Bay and implies that separate governors fared little better. The way the people are coming to inspect their position is indicated when Hawthorne writes:

If ever two were one, then surely we.

I bought it, read it over and over, and was much delighted with it.

I panorama the Writing excellent, and wish'd if possible to imitate it (496).

For some writers, reading is a means to true freedom, raising the mind of the reader beyond what can be found in direct experience. This is a varyicular theme in the writings of Frederick Douglass. In the write up of the Life of Frederick Douglass, an American Slave, Douglass shows the dynamics of slavery and the ways in which the master-slave relationship can be equated with the father-son relationship. When he wrote this book, it was in part because many of those who listened to his highly polished speeches did not believe that he had been a slave, so here he gives a direct account of slave life as well as an analysis of the meaning of slavery and of the abolitionist position for wherefore slavery should be eliminated. Slavery treated one mathematical group of human beings as less valuable than others, and in doing so it disrupted family life and perverted the childhood of slave children. Douglass managed to kill slavery, but he did not overcome its effects and was amply aware of the degree to which his life was shaped by his let slavery first and by the fact of the continuation of slavery--and the scourge that he might be re-enslaved--second. In The Narrativ
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