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Thursday, November 8, 2012

A Devotional Poet

In much of her poetry, she would depict Shiva as her illicit lover, and the relationship was obviously of great importance than that with her athiest husband.

In "My head f all tolds from my shoulders," Mahadeviyakka expressed this actually pure devotion to her lord, explaining, essentially, that no matter what might materialize to her physically, she will see it as a gift from Shiva, and as such, cherish it as a part of her life. Certainly this consuming devotion is startling, as is the ideal of giving over all of one's control to a higher power. For Mahadevi, however, it seems that there is no drumhead that this is what she was meant to do. Thus, she devotes her whole life and being to her lord, "white as jasmine". appreciation this not only helps us to understand Mahadevi as an individual, nevertheless also brings us to a better understanding of the ever-intense devotion, or bhakti, of the Hindu faith.

Mirabai, the sixteenth-century princess turned saint-poet of Rajasthan, who violated all the norms expected from her as royalty, has temples built to commemorate her bhakti because she abandoned herself totally to the love of Krishna, whose tilt image she accepted as her husband. We understand that in the Hindu faith, divinity is achieved through bhakti to someone or something. In Mirabai's quality?the statue of Krishna.
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Being devoted to such a thing would collect also allowed her freedoms that her co


Mirabai. "Who Can debase Me?" Teachings of the Hindu Mystics. New York: Shambhala, 2001. 79.

Mirabai is actually said to have spend much of her life walking among her people naked?a freedom that would have certainly not been hers to have had it not been for her devotion to Krishna. This is described in the lines at the end of the starting time stanza of the poem. Beyond that, she speaks of society's reaction to her, which may either be corroboratory or negative, but either way, she doesn't seem to care, because it is only the gods that she wishes to please. close to startling, however, in these poems is the erotic language used to describe phantasmal faith; while this is not an aspect of religion in the western world, for the Hindu, it seems to be more of a norm than an exception.


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