Caravaggio: Paintings
1. Calling of Saint Matthew . Caravaggio
In this painting, Caravaggio uses a lot of blending with the light that enters the room from the right, very typical of the baroque style. The characters coefficient of reflection of shading is as well as very unambiguous against the light on their bodily functions. There is a lot of twist deep down the characters, hips twisted, and faces also either turning to one another and also turning towards the people standing up.
It advertms that the focal point is the soul with his head facing on the bow. Through the Baroque period, its evident that we get through the use of the way the hands atomic number 18 pointing to him. the people standing up are pointing leftward, hence the adult male sitting at the table has his hand also pointed leftwards, merely slightly at a lower level then the 2 gentleman standing up, which leads to the gentleman with his head set about against the table.
The brush work is very evident and hard (I could see the brush strokes on the canvas).
There are different shades of colors blended together. The uses of Dark colors integrated with lighter colors is very present. For instance, the gentleman seated at the table with his hand pointed is much more darker in color glasses than the gentleman seated to his left with much brighter, crisp colors.
The commentary of the bodily features is very relevant to the Baroque era. Their features are just about very realistic. There are both younger and one-time(a) people seated at the table, some seem to suck in baffled and exhausted expressions, very typical to common , usual expressions.If you want to get a full essay, order it on our website: Ordercustompaper.com
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