Character Analysis - Joe in Toni Morrisons\'s Jazz

The extract on knave 130-133 in the novel depicts Joes extreme mental state of matter at the time of his cleaning of Dorcas. The internal stream of soul that makes up this section of the keep back comes just after the fibber talks around the changes in Joe from 1917-1925. \nThe extract starts as an more or less uncomfortably intimate charge of Dorcas physical appearance. Joe tells us She had ample hair and bad shinny and that he resemblingd it like that; this could show that he likes her imperfections, because it mightiness mean that other commonwealth could like her less, allowing him to have arrest ownership over her. thither were little half moons meet underneath her cheekbones, which could be indentations from her (or peradventure Joes nails) signifying some assortment of harm that has been done. Although in a metaphorical sense, the marks on her face could be the alter things that have happened in her look showing signs on her shin; she is aging more quick because of them. The hoofmarks could also have a connection with Joes recurrent mentions of encompasss and trails; this reading of the extract could clear the phrase I slash Dorcas from borough to borough as if Joe were a hunter, straw Dorcas, his prey. On page long hundred the narrator is talking some a singer and the musical mode the city spins you, suggesting you give the axet get off the pursue the city spins for you. The metaphor of the track emphasises the claustrophobia of the city and the fact that it can change the decisions a mortal makes. \nJoe obsessively talks about the track and how it begins to talk to you. This incarnation is Joe deflecting the responsibility away from himself. The track makes him gravitate towards Dorcas, and eventually Joe finds himself in a crowded dwell aiming a bullet at her heart, then the hitman went thuh! The choice of word for the sizeable of the gunshot is odd, as it is a very soft looking word and does not delineate the loud. ..