In William Shakespeares Othello, the citation Emilia suggests that the other characters of the play map heaven and men and devils, loosely setting up the data formatting of the entire work, and summed up distinctly in the final scene. in that respect are characters that distinctly represent each of these realms, as vigorous as some that seem to have characteristics from two of the areas. Desdemona is the character most closely associated with heaven as is represented by her goodness throughout the play, even when faced with her own death. Iago constructly represents the devils: he goes out of his bearing to cause problems for others without both clear motive. Othello is representative of the realm of man, so easily influenced by after-school(prenominal) forces and torn between the rewards of heaven and the temptations of hell.
        Desdemonas character has some(prenominal) aspects that create an impression of a Christ-like figure. She is always good, no occasion what temptation she is faced with. When she realizes that she is suspected of adultery, she brings it into conversation with her trusted help and servant Emilia. Emilia says she would not consider it a blurt to betray her husband in such a way, In troth, I think I should [do it] (4.3.73.).
Desdemona, even presented with her best garters advice that this would not be a bad thing, cannot savvy the sin, saying, I do not think there is any such woman, (4.3.86.). She takes the blame of her alleged sin, accepting that some may say slanderous things without knowing the truth, much as deliverer accepted the charge that he was a false major power and accepted his due punishment. Jesus purpose in not denying and just accepting was to use his trials to save the people, similar to the way Desdemona tries to save Othello from any...
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