In Joseph Conrads novella, tinder of Darkness, Marlow - who is both the protagonist, whose actions make up the main plan of the novel, and the narrator, whose thoughts and attitudes shape the readers perception of the story - has a revelation somewhat human nature. Initially, he associates things such as civilisation, knowledge, and good in terms of light - as it appears; and lack of civilisation, savagery, and evil in terms of darkness - an expected perception. However, as Marlow begins to have glimpses at the truth of human nature, his associations reverse. He associates darkness with the refine atrocity of imperialist Europe, and light with the savage reality of native Africa. The al-Qaeda of darkness and light is developed throughout the novella, revealed by the difference amid Europe and Africa, portrayed more specifically between the two secondary symbols: the European woman - His Intended, and the African woman - his mistress. These two women innocently serve to identify the bother in distinguishing between darkness and light, the appearance and reality of humanity. And as Marlow inexorably discovers in his revelations, underneath the shell of each and all human being there is a primordial Heart of Darkness.
The native African woman represents the entire Black individualism and the magnificence of the wilderness, both of which were invaded by the brutal but civilised White Europeans. She is the passionate reality, being savage and superb, wild-eyed and kingly, almost reminding the Europeans of their prehistoric Black heritage and their own culture. I believe the act of throwing her arms to the sky could symbolise a outcry to an antique Divinity to restore the original period when the land had not raided and there was peace and freedom. Kurtzs mistress is accepted as a product of the wilderness, like the wilderness itself,
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