?Life is a harlequinade to those that think, a catastrophe to those who feel,? express by Horace Walpole, pie-eyeding life can be a clowning if you think it through with(predicate), scarcely a tragedy for those who moreover feel the presence. This quote resembles the whole floor of ? pick out? in the play Much Ado round Nothing, written by William Shakespeare, in just one sentence. This play takes place in Messina, where two stories of romantic love amongst two couples battler and Claudio, Beatrice and Benedick each encountering different journeys on assay to bond their love. In this play, Shakespeare tries to portray a clearer keen outcome by changing how proofreader?s feel through the roles between comedy and tragedy, how the theme of ? wager of love? is effected by the combination, and actu altogethery making a good flip over whether the ? able final stage? is convincing.
To begin with, Shakespeare depicts a clearer able ending by changing roles between comedy and tragedy. In Shakespeare?s plays, comedy means there is a prosperous marriage which at long remnant leads to a joyful ending, but on the other hand, tragedy means there is death which will result in a heartrending ending. It is in this play that Shakespeare actually combines comedy and tragedy unneurotic to give us a thingamajig and sudden change on reader?s mood. For instance, a comedy in this play will be where Claudio is minded(p) the permission to attach molar and with Leonato asking him to ?take [care] of [his] fille, and with her [his] great deal?, then he offers, ?[H]is grace hath made the match, and an grace say Amen to it? (2.1.270-273). With Leonato accepting to let Claudio unify his daughter Hero, this resembled that Claudio will emphatically be married to Hero unless he turned it down, because bear then woman has no choice and marriage is a lot decided upon parents decisions. On the other hand, Shakespeare tries to make a clearer happy ending by adding a tragedy to the play as the climax, which include Claudio turning Hero down at the church building in public and repose her like what he sees on the deception made by mount John. Hero is ? unexpended for dead? secretly? and publish that she is dead indeed? (4.1.209-211). The mould death use in the quote is a restate for Shakespeare to resemble real death as a tragedy. later no other choices, Claudio agree to Leonato?s option, yet trick, to marry his brother?s daughter (Hero), at the wedding Claudio precious his bride to ?give [him her] hand before this holy friar, [he is her] husband, if she likes [him]? (5.4.59-60), the bride then unmasks with Claudio gasping, ? other Hero? (5.4.63). Claudio never thought it will never be Hero; this shows how they come together and clearly illustrates the happy ending. This is where Shakespeare comes in, apply the combination of comedy and tragedy to give his readers a clearer physique of the happy ending.
In addition, the mixing of comedy and tragedy together effects the theme ?game of love? and gives the reader an caprice of how the happy ending comes about. In the beginning of the play, when Prince hears about how practically Claudio loves Hero, he promises to ?woo for [Claudio] to obtain her, [he] will join with [Claudio] to disgrace her? (3.2.119.120). In this play, Prince just likes to be a matchmaker, pairing mess up with whom they love, thinking that love is just a game, and not thinking what a tragedy it will cause to Claudio. Moreover, some other use of game of love in the play is when Claudio turns Hero down and Beatrice wants Benedick to ?kill Claudio? (4.1.294). This clearly depicts the game of love because by using the relationship she has with Benedick, she forces Benedick to go to Claudio and make do him. Leonato similarly uses the same technique on Claudio for what he has do ?he could not be [Leonato?s] son-in-law, be yet [Leonato?s] nephew: [to marry Leonato?s] brother?s daughter? (5.1.288-289). The brother?s daughter stated in this quote was actually Hero, and it was part of Leonato?s plan of the game of love somewhat like a pay bet on for what he has done- to let him feel remorseful. Shakespeare combined comedy and tragedy to alter reader?s moods, which clearly go the happy ending through the use of the theme ?game of love.
Furthermore, Shakespeare illustrates a clear happy ending towards the end of the book, but is it convincing enough even after the comedy and tragedy were merged together in this play.
With the entrance of Claudio to the church on the second ceremony (after Hero?s fictitious death) the motion proceeds with slightly stiff formality towards this ceremony, he said, ?I?ll hold my mind, were she an Ethiope? (5.4.39). This obviously shows even though he confirms his solvent to go through with the arrangement, but is hardly enthusiastic about the wedding because fall apart John has hurt him deep enough. From all the things that just happen in Messina are concluded in a sentence by Antonio, he said ?Well, I am glad that all things sort so rise? (5.4.7). The first colloquial ?Well? and last happy-ending, abverbial ?well? neatly enfolds ?all things? about which there has been so much ? snow flurry? in the preceding scenes which really makes the reader wonder if the happy ending is really that convincing. The most important of all is that after a happy successful marriage, Messenger came back and said, ?Don John taken flight and brought with armed man back to Messina? (5.4.128-129). Shakespeare end it with a successful marriage and with the comeback of Don John really leaves his reader clueless of what is about to come. In the end, the ending really makes a good debate for his reader whether the play is a comedy or a tragedy.
To conclude, Shakespeare is trying to depict an obvious happy ending. He tries to show the ending by changing reader?s mood through the change of roles between comedy and tragedy, how the combination effect the theme ?game of love?, and making a good debate for whether the ?happy ending? is convincing. For Shakespeare the idea of a happy ending might not be one that will last forever, because of how devastating a tragedy will be. However, Shakespeare is trying to show his readers that whenever there is a tragedy it does not always mean that there will not be a happy ending.
Shakespeare, William. Much Ado About Nothing. Ed.
Barbara A. Mowat and Paul Werstine. The bracing FolgerLibrary Shakespeare. New York: Washington Square,1993.
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